This week’s question continues the MFA series (#1, #2, #3) and is inspired by a response by JinJin to the my first writing class thread on Twitter from a few weeks again.
How do you negotiate the workshop gaze?
This question speaks specifically to the ways that we read each other’s work based on cultural and social assumptions. You can see how things can get crossed and primed for misreadings if the writer being critiqued is an international student or has a historically excluded identity.
Answer below and here for the next 45 minutes!
For your security, we need to re-authenticate you.
Click the link we sent to , or click here to log in.